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Yuri Pervushin debunks our stereotypes about his art as he uses new colour schemes and conceptual approach. The artist himself notes that he has deliberately left his usual, silvery-white colour scheme, based on similar tones. Although this affects the recognition of the artist's manner, it is interesting for Yuri Pervushin to experiment and develop in a new direction. Thus, the silvery and white tones familiar to the viewer are replaced by colour combinations which are new to Yuri Pervushin's works. This, in turn, determines the development of new tendencies in his artwork. A series of paintings with colourful yachts, for example, was inspired by a trip to the Netherlands.
Both early and recent artowrks by Yuri Pervushin are united by the artist's philosophical reasoning about the scale of the universe, every part of which exists according to the same laws. Yuri Pervushin considers that even the microcosm of a fragile flower is no less significant than the macrocosm of an entire galaxy. Developing his concept, the artist depicts a sunflower or a dandelion flower as the universe. It is no coincidence that some of Pervushin's artworks recall the shots from the early films of Sakurov or Tarkovsky. Closely, as if under a microscope, the artist studies the objects that surround us in everyday life: fruit and vegetables, toys - as memories from childhood, brushes and cans of paint... Yuri Pervushin carefully studies the textures and character of these objects, conveying tangibility of surfaces and inviting the viewers to immerse themselves in the life of simple things.